Academic Writing

“Modernism after Modernism,” editorial statement for the Field Reports blog on Modernism/modernity Print Plus 4.3 (2019).

“A Case for ‘Site-Activated’ Modernism: Elmina Asafo Aesthetics.” Modernism/modernity Print Plus, 4.1 (2019).

“Plurality in Question: Zimbabwe and the Agonistic African Novel.” NOVEL: A Forum on Fiction 51.2 (2018): 339-361.

“Comparison Re-Justified.” Invited response to Joseph Slaughter’s 2017 American Comparative Literature Association Presidential Address.  Cambridge Journal of Postcolonial Literature Inquiry 5.3 (2018): 255-261.

“Reading for the Region in New African Novels: Flight, Form, and the Metonymic Ideal.” Research in African Literatures 49.1 (2018): 42-62.

Interview with Elnathan John. Research in African Literatures 48.2 (2017): 89-93. 

“Introduction: Religion, Secularity, and African Writing,” with Nathan Suhr-Sytsma. Research in African Literatures 48.2 (2017): vii-xvi.

Review essay on The Lives of the Novel (Princeton) and The Novel: An Alternative History (Bloomsbury), Comparative Literature Studies 53.4 (2016): 847-851.

“Retreating Reality: Chekhov’s South African Afterlives.” JNT: Journal of Narrative Theory 45.1 (2015): 46-78.

“You Are Where You Aren’t: Mark Behr and the Not-Quite-Global Novel.” Safundi: The Journal of South African and American Studies 14.2 (2013): 175-190.

“Singular Exceptions: Animal Instrumentality in Tolstoy and Coetzee.” English Studies in Africa 55.2 (2012): 29-42.

“Going to the Dogs: Enduring Isolation in Marlene van Niekerk’s Triomf.” Studies in the Novel 43.3 (2011): 343-362.

Paul Shot 1

(Photo credit: Paul Ninson)